This original watercolor depicts a hammerhead shark rendered in pointillism, marking the artist’s first vertical, aerial composition. Seen from above, the shark is presented not as a profile study, but as a form moving through open space, offering a perspective that feels observational and removed, as if encountered from the surface rather than within the water.
The pointillist technique allows the image to build gradually through repetition, guiding the viewer’s eye along the shark’s distinctive silhouette and wide-set head. Pattern and spacing become central to the composition, reinforcing the clarity of form while maintaining a sense of quiet distance and scale.
This one-of-a-kind artwork explores perspective as a way of seeing rather than storytelling, expanding the artist’s work into a new spatial and compositional direction.
Painted on archival paper. 22 × 30. Signed original. Unframed.
This original watercolor depicts a hammerhead shark rendered in pointillism, marking the artist’s first vertical, aerial composition. Seen from above, the shark is presented not as a profile study, but as a form moving through open space, offering a perspective that feels observational and removed, as if encountered from the surface rather than within the water.
The pointillist technique allows the image to build gradually through repetition, guiding the viewer’s eye along the shark’s distinctive silhouette and wide-set head. Pattern and spacing become central to the composition, reinforcing the clarity of form while maintaining a sense of quiet distance and scale.
This one-of-a-kind artwork explores perspective as a way of seeing rather than storytelling, expanding the artist’s work into a new spatial and compositional direction.
Painted on archival paper. 22 × 30. Signed original. Unframed.